Thursday, July 26, 2012

Across the Universe

Across The Universe

Across the Universe

Across the Universe

Words are flowing out like
Endless rain into a paper cup
They slither wildly as they slip away across the universe.
Pools of sorrow waves of joy
Are drifting through my opened mind
Possessing and caressing me.

Jai Guru Deva. Om
Nothing's gonna change my world
Nothing's gonna change my world
Nothing's gonna change my world
Nothing's gonna change my world

Images of broken light, which
Dance before me like a million eyes,
They call me on and on across the universe.
Thoughts meander like a
Restless wind inside a letter box
They tumble blindly as they make their way across the universe.

Jai Guru Deva. Om
Nothing's gonna change my world
Nothing's gonna change my world
Nothing's gonna change my world
Nothing's gonna change my world

Sounds of laughter, shades of life
Are ringing through my opened ears
Inciting and inviting me.
Limitless undying love, which
Shines around me like a million suns,
It calls me on and on across the universe

Jai Guru Deva.
Jai Guru Deva.
Jai Guru Deva.
Nothing's gonna change my world
Nothing's gonna change my world
Nothing's gonna change my world
Nothing's gonna change my world

"Across the Universe"
Song by The Beatles from the album No One's Gonna Change Our World
Released 12 December 1969
Recorded 4 February 1968, Abbey Road Studios, London, England
Genre Psychedelic folk
Length 3:50
Label Regal Starline
Writer Lennon–McCartney
Producer George Martin
No One's Gonna Change Our World track listing
"Across the Universe"
(1) Cilla Black – "What the World Needs Now Is Love"
"Across the Universe"
Song by The Beatles from the album Let It Be
Released 8 May 1970
Recorded 4 February 1968, Abbey Road Studios, London, England
Genre Psychedelic folk
Length 3:47
Label Apple
Writer Lennon–McCartney
Producer Phil Spector
Let It Be track listing

12 tracks
"Across the Universe" is a song recorded by The Beatles. It was written by John Lennon, and credited to Lennon–McCartney. The song first appeared on the various artists charity compilation album No One's Gonna Change Our World in December 1969, and later, in different form, on Let It Be, the group's final released album.

1 Composition
2 Musical structure
3 Recording and version history
3.1 February 1968 recordings
3.2 World Wildlife Fund version
3.3 Let It Be version
3.4 Other versions
4 Critical reception and legacy
5 Personnel
6 Covers
7 Notes


One night in 1967, the phrase "words are flowing out like endless rain into a paper cup" came to Lennon after hearing his ex-wife Cynthia, according to Lennon, "going on and on about something." Later, after "she'd gone to sleep—and I kept hearing these words over and over, flowing like an endless stream," Lennon went downstairs and turned it into a song. He began to write the rest of the lyrics and when he was done, he went to bed and forgot about them.
I was lying next to my first wife in bed and I was thinking. It started off as a negative song and she must have been going on and on about something. She'd gone to sleep and I kept hearing, 'Words are flowing out like endless streams...' I was a bit irritated and I went downstairs and it turned into a sort of cosmic song rather than, 'Why are you always mouthing off at me?'... The words are purely inspirational and were given to me - except for maybe one or two where I had to resolve a line or something like that. I don't own it; it came through like that.
The flavour of the song was heavily influenced by Lennon's and the Beatles' interest in Transcendental Meditation in late 1967 – early 1968, when the song was composed. Based on this he added the mantra "Jai guru deva om" (Sanskrit:) to the piece, which became the link to the chorus. The Sanskrit phrase is a sentence fragment whose words could have many meanings. Literally it approximates as "glory to the shining remover of darkness," and can be paraphrased as "Victory to God divine", "Hail to the divine guru", or the phrase commonly invoked by the late Maharishi Mahesh Yogi in referring to his spiritual teacher "All Glory to Guru Dev."
The song's lyrical structure is straightforward: three repetitions of a unit consisting of a verse, the line "Jai guru deva om" and the line "Nothing's gonna change my world" repeated four times. The lyrics are highly image-based, with abstract concepts reified with phrases like thoughts "meandering", words "slithering", and undying love "shining". The title phrase "across the universe" appears at intervals to finish lines, although it never cadences, always appearing as a rising figure, melodically unresolved. It finishes on the leading note; to the Western musical ear, the next musical note would be the tonic and would therefore sound complete.
In his 1970 interview with Rolling Stone, Lennon referred to the song as perhaps the best, most poetic lyric he ever wrote: "It's one of the best lyrics I've written. In fact, it could be the best. It's good poetry, or whatever you call it, without chewin' it. See, the ones I like are the ones that stand as words, without melody. They don't have to have any melody, like a poem, you can read them."

Musical structure

The song is in the key of D and the verse beginning "Words are flowing out" (I (D) chord) is notable for a prolonged vi (Bm)- iii (F#m) to ii7 (Em7) minor drop to the dominant chord V7 (A7) on "across the universe" in the 4th bar. On the repeat of this chord sequence a beautiful turn following the ii7 (Em7) through a iv minor (Gm) brings the verse to a close before moving on directly to the tonic on the "Jai Guru Deva Om" refrain. The vi-ii minor drop leading to V had been used earlier in "I Will" (on "how long I've loved you) and George Harrison utilised a shorter vi-iii minor alternation to delay getting back to the dominant (V) in "I Need You". The verse beginning "Words are flowing out like endless rain..." is also notable for the suitably breathless phrasing and almost constant 8th note rhythm (initially four D melody notes, then C#,B,A,B)

Recording and version history

Complete recording and mixing history
Date Activity
4 February 1968 Takes one–two and four–seven recorded. Overdub onto take seven. Reduction into take eight. Overdub onto take eight. Sound effects on takes one–three.
8 February 1968 Overdub onto take eight. Mono mixing from take eight.
January 1969 Overdubs onto take eight. Mono mixing from take eight. Version planned for the album No One's Gonna Change Our World.
2 October 1969 Overdubs onto take eight. Stereo mixing from take eight. Version released on the album No One's Gonna Change Our World and later on Past Masters.
5 January 1970 Stereo mixing from take eight. Version to have been released on 5 January Get Back album.
23 March 1970 Stereo mixing from take eight.
1 April 1970 Reduction into take nine. Overdub onto take nine.
2 April 1970 Stereo mixing from take nine. Version released on the Let It Be album.

February 1968 recordings
In February 1968, the Beatles convened at the EMI Abbey Road studios to record a single for release during their absence on their forthcoming trip to India. Paul McCartney had written "Lady Madonna" and Lennon, "Across the Universe". Both tracks were recorded along with Lennon's "Hey Bulldog" and the vocal track for George's "The Inner Light" between the 3 and 11 of February.
The basic track was successfully recorded on 4 February. Along with the basic rhythm track of acoustic guitar, percussion and tambura, it featured an overdubbed sitar introduction by George Harrison. Two teenaged fans, Lizzie Bravo and Gayleen Pease, were invited in off the street to provide backup vocals.
Lennon still wasn't satisfied with the feel of the track and several sound effects were taped, including 15 seconds of humming and a guitar and a harp-like sound, both to be played backwards; however, none of these were used on the released version. The track was mixed to mono and put aside as the group had decided to release "Lady Madonna" and "The Inner Light" as the single. On their return from India, the group set about recording the many songs they had written there, and "Across the Universe" remained on the shelf. In the autumn of 1968, the Beatles seriously considered releasing an EP including most of the songs for the Yellow Submarine album and "Across the Universe", and went as far as having the EP mastered.

World Wildlife Fund version
During the February 1968 recording sessions, Spike Milligan dropped into the studio and, on hearing the song, suggested the track would be ideal for release on a charity album he was organising for the World Wildlife Fund. At some point in 1968, the Beatles agreed to this proposal. In January 1969, the best mono mix was remixed for the charity album. In keeping with the "wildlife" theme of the album, sound effects of birds were added to the beginning and end. The original (mono) mix from February 1968 is 3:37 minutes in length. After the effects were added, the track was sped up so that even with 20 seconds of effects, it is only 3:49. By October 1969, it was decided that the song needed to be remixed into stereo. This was done by Geoff Emerick immediately prior to the banding of the album. "Across the Universe" was first released in this version on the Regal Starline SRS 5013 album, No One's Gonna Change Our World, in December 1969.
This version was issued on three Beatle compilation albums, the British version of Rarities, the different American version of Rarities and the second disc of the two-CD Past Masters album.

Let It Be version
The Beatles took the song up again during the Get Back/Let It Be rehearsal sessions of January 1969; footage of Lennon playing the song appeared in the Let It Be movie. Bootleg recordings from the sessions include numerous full group performances of the song, usually with Lennon–McCartney harmonies on the chorus. To ensure the album tied in with the film it was decided the song must be included on what by January 1970 had become the Let It Be album. Also, Lennon's contributions to the sessions were sparse, and this unreleased piece was seen as a way to fill the gap.
Although the song was extensively rehearsed on the Twickenham Studios soundstage the only recordings were mono transcriptions for use in the film soundtrack. No multitrack recordings were made after the group's move to Apple Studios. Thus in early January 1970 Glyn Johns remixed the February 1968 recording. The new mix omitted the teenaged girls' vocals and the bird sound effects of the World Wildlife Fund version. As neither of the Glyn Johns Get Back albums were officially released, the version most people are familiar with came from Phil Spector, who in late March and early April 1970 remixed the February 1968 recording yet again and added orchestral and choral overdubs. Spector also slowed the track to 3:47, close to its original speed. According to Lennon, "Spector took the tape and did a damn good job with it."

Other versions
A previously-unreleased February 1968 alternate take of the song (recorded before the master), without heavy production, appeared on Anthology 2 in 1996. This is often referred to as the "psychedelic" recording because of the strong Indian sitar and tambura sound, and illustrates the band's original uncertainty over the best treatment for the song.
The February 1968 master was remixed again for inclusion on Let It Be... Naked in 2003, at the correct speed but stripped of most of the instrumentation, and digitally processed to correct tuning issues.

Critical reception and legacy

Music critic Richie Unterberger of Allmusic said the song was "one of the group's most delicate and cosmic ballads," and "was one of the highlights of the Let It Be album." Music critic Ian MacDonald was critical of the song, calling it a "plaintively babyish incantation" and saying "its vague pretensions and listless melody are rather too obviously the products of acid grandiosity rendered gentle by sheer exhaustion."
On 4 February 2008, at 00:00 UTC, NASA transmitted the Interstellar Message "Across the Universe" in the direction of the star Polaris, 431 light years from Earth. The transmission was made using a 70m antenna in the Deep Space Network's Madrid Deep Space Communication Complex, located outside of Madrid, Spain. It was done with an "X band" transmitter, radiating into the antenna at 18 kW. This was done to celebrate the 40th anniversary of the song's recording, the 45th anniversary of the Deep Space Network (DSN), and the 50th anniversary of NASA. The idea was hatched by Beatles historian Martin Lewis, who encouraged all Beatles fans to play the track as it was beamed to the distant star. The event marked the first time a song had ever been intentionally transmitted into deep space, and was approved by McCartney, Yoko Ono, and Apple Corps. (The first musical interstellar message was "1st Theremin Concert to Aliens", section 2 of the Teen Age Message, in 2001.)


(Let It Be version)
John Lennon – lead vocal, acoustic guitar
Paul McCartney – piano
George Harrison – tambura
Ringo Starr – maracas
Additional musicians
Lizzie Bravo and Gayleen Pease – backing vocal (1968 version)
Uncredited – strings and choir
George Martin – Hammond organ, producer (1968 version)
Phil Spector – producer (1970 version)
Ken Scott & Martin Benge – original 1968 engineers
Jeff Jarratt – remix engineer (1969 "No One's Gonna Change Our World" version)
Peter Bown & Mike Sheady – recording & remix engineers (1970 version)
Personnel per Ian MacDonald
Elements of the performance recorded on 8 February 1968 were replaced by an orchestra and choir recorded on 1 April 1970.


There have been several recordings of "Across the Universe" released by the Beatles as well as covers by other artists.
Artist Release Date Album Title Notes
Cilla Black 3 July 1970 Sweet Inspiration Produced by George Martin
Roger Waters 12 June 1985 Tribute to John Lennon With Andy Fairweather Low
Vadim Brodski 1986 Beatles Symphony
Cyndi Lauper 1989/2009 Unreleased / Across the Universe 2009 Version w/ Jake Shimabukuro
Lana Lane 21 November 1988 Ballad Collection, Vol. 1
David Bowie 7 March 1975 Young Americans backing vocals by John Lennon
Laibach 1988 Let It Be Vocals by Anja Rupel
10cc 1995 10cc Alive
Nikolay Rastorguyev 1996/2007 ?????? ???? ? ?????? / Birthday (With Love)
Aine Minogue 15 July 1997 Between the Worlds Celtic version
Fiona Apple 13 October 1998 Pleasantville Soundtrack
Rufus Wainwright 12 February 2002 Poses U.S. Edition bonus track
Verdena 5 June 2003 B-side
Ben Allison & Medicine Wheel 24 May 2004 Buzz
Jim Sturgess 18 September 2007 Across the Universe Soundtrack from the Julie Taymor musical based on Beatles songs. Also the title for the film.
John Butler Trio 24 August 2004 What You Want
Seether 5 August 2008 iTunes Originals - Seether
Justin Mauriello 6 February 2010 Justin Sings the Hits
Tomer Biran Mediawide Music 1 June 2010 Filter the Colors music for commercials made for ProTV and Nova TV; the company declared it Original Composition (check YouTube and vimeo).
The Beautiful Losers 5 August 2010 Four Corners of a Tiny Planet
Beady Eye 4 April 2011 Proceeds go to Japanese Tsunami Relief Recorded at RAK studios on 2 April 2011, performed live at the Japan Disaster Benefit concert on 3 April 2011, and released as a digital download on 4 April 2011 - all proceeds go towards the charity.
Christy 18 April 2011 No Time For Childhood EP Released on MileHighMusic.
Bill Frisell 27 September 2011 All We Are Saying Released on Savoy Jazz records.
Scorpions 4 November 2011 Comeblack
In 2007, Jackson Browne and Robby Krieger of The Doors also recorded and released a version of the song.
Additionally, according to the IMDB website, the American band Velvet Revolver, with Slash playing a 12-string Gibson Les Paul, along with other artists, Bono, Norah Jones, Alicia Keys, Tim McGraw, Steven Tyler, Brian Wilson, Alison Krauss on fiddle, Billie Joe Armstrong, and Stevie Wonder, on lead vocals and harmonica, covered the song live as a tribute to the Tsunami Victims at the 2005 Grammy Awards. According to the 5 March 2005 Billboard magazine, the all-star Grammy recording debuted at no. 22 on the Billboard Hot 100 chart as a digital download.
On 3 July 2010 Placebo singer Brian Molko performed this song with a full orchestra in Brussels to celebrate the Belgium Presidency of European Union British band Beady Eye covered the track in 2011 for the British Red Cross Japanese Tsunami Appeal. All profits from the track were donated to the appeal. During their 1981/1982 Time Tour, Electric Light Orchestra covered "Across the Universe" together with "Imagine" and "A Day in the Life" as part of their tribute to John Lennon. Band leader Jeff Lynne had gained most of his inspiration to make Electric Light Orchestra from the works of Lennon both with The Beatles and his solo career.


^ "Learn Vedic Meditation". 15 February 2007. Archived from the original on 22 July 2011. Retrieved 20 August 2011.
^ Woo, Elaine (6 February 2008). "Maharishi Mahesh Yogi; founded Transcendental Meditation movement". Los Angeles Times. Retrieved 24 June 2012.
^ "Across The Universe". The Beatles Bible. The Beatles Bible. Archived from the original on 8 August 2010. Retrieved 16 August 2010.
^ a b Dominic Pedler. The Songwriting Secrets of the Beatles. Music Sales Limited. Omnibus Press. NY. 2003. p76
^ Dominic Pedler. The Songwriting Secrets of the Beatles. Music Sales Limited. Omnibus Press. NY. 2003. p538
^ Lewisohn 1988, p. 133.
^ Lewisohn 1988, p. 134.
^ a b Howlett 2009.
^ Lewisohn 1988, p. 193.
^ Lewisohn 1988, p. 196.
^ Lewisohn 1988, p. 197.
^ a b Lewisohn 1988, p. 198-199.
^ "84 - 'Across the Universe'". 100 Greatest Beatles Songs. Rolling Stone. Retrieved 16 June 2012.
^ Lewisohn 1996, pp. 44–45.
^ Unterberger 2009.
^ MacDonald 2005, p. 276–277.
^ NASA 2008.
^ MSNBC 2008.
^ MacDonald 2005, p. 276.
^ Lewisohn 1988, pp. 134, 198.
^ Allmusic 2009.
^ "Brian Molko - "Across The Universe" live . YouTube. Retrieved 3 October 2011.

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Monday, July 2, 2012

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